BLUE LIP BLACK WITCH-CUNT

REVISION / REVISIT (I’M CARRYING)

…THE CONVERGENCES BETWEEN AND WITHIN THESE AND OTHERS PROVIDED THE SOUNDTRACK FOR MY PROJECT, POSTURING ALTERNATE WAYS OF IMAGINING MYSELF, FEVERISHLY WAITING OUT THE HIGH HORSE-POWERED (AS REQUESTED) STRETCH FROM BUSHWICK TO WESTWAY. 

THE RITUALISTIC EXTENSION OF HEEL FROM CAR.

THE FRENZIED DECORUM OF A GAZELLE STRUT TO AND THROUGH THE DOOR, GRANTED ENTRANCE BY THE STOIC AND CAPRICIOUS WILL OF A KEEPER ONE WOULD ASSUME TO BE JADED, SAVE THE REGALITY OF HER APPEARANCE

THE FIRST TICKLE OF INTERNAL ORGANS ABSORBING THE .5 SEC DELAYED BASS OF THE MAIN FLOOR AS SPLIT-END SOUND WAVES SCURRY INTO THE VESTIBULE, ESCAPING WHEN THEY CAN THROUGH EACH SWINGING OPEN OF THE EXASPERATED DOOR TO THE OUTSIDE

FEELING PUSSY, PERCHED, YET NEVER PARCHED, DRINK IN HAND I SASHAYED INTO A GLORIOUSLYSURREAL SPACE. A GRAND HALL OF LARPERS, NOBLES AND DEMIGODS EFFICACIOUSLY COSTUMED IN LOOKS MAD OF PATTERNS, JEWELRY SHAPES AND COLOR STORIES VIVID WITH SYMBOLISMS ARTICULATING THEIR SEMI-AUTOBIOGRAPHICAL FICTIONS; HEBDOMADALLY WRITTEN AGAINST THE GRAVITATIONAL PULL OF IRRELEVANCE AND FOR FEAR THAT THE MAGIC OF THE BALL WILL EXPIRE. AS IF IT WERE ALL AN ORCHESTRATED SEANCE WITH DIONYSUS HERSELF, ENACTED WEEKLY BY A MOTLEY CROSS-SECTION OF THE CITY’S HOPEFUL FAGGOTS, QUEERS AND COMRADES.

PUSHING THE WEIGHT OF MY HIPS, LIMBS AND EXTREMITIES  IN SYNCHRONIZED AND THEATRICAL GESTURES, I DANCED MY WAY THROUGH A SUPERNOVA REMNANT MADE OF LINGERING BURSTS OF LIGHT WAVES FROM CAMERA FLASHES PAST, REFRACTED THROUGH SHATTERED HANDLES OF WELL VODKA ILLUMINATING AN EXPANDING MASS OF DUANE READE MAKE-UP AND CIGARETTE ASH PROPELLED BY THE PULSE OF CELESTIAL SUB-WOOFERS AND FOREGROUNDED BY A FLOATING MASS OF SHADE FROM SHITTY FAGGOTS, BIDDIES DISENFRANCHISED OF THEIR ENTITLEMENT TO FEMININITY, AND BROS TOO UNAWARE OF THEIR OWN IMPULSES AND SOCIAL POSITION TO COMPREHEND IT ALL.